art technics

Online Gallery in Contemporary Art : Art Gallery and Gallerist

This is a highly controversial topic that your online gallery opens in this period of social revolt where the Art Gallery is often decked out with the image of a place that would be reserved for an intellectual elite. But the Koronin Online Gallery has the habit of opening this kind of subject, especially when it comes to talking about the artist’s profession and how to expose it to the public.

Let’s start by justifying the Academy of Fine Arts which, in its letter of the winter 2017-2018, already wrote how much the Art gallery, the online gallery, constitute a social reality born of envy, desire to exhibit the work of artists that for many, is not put forward in the historic Salons.

“In the notion of art, there is the notion of sharing. The artwork needs to be shared in the same way as a book or a musical work. In a way, it is a message that the artist addresses to us from the depths of his being. In the process of sharing, the art dealer, the gallery and more recently the fairs of contemporary art have a decisive role: to reach the amateurs and the greatest number. “

That said, to make a very short summary of the history of the art gallery, it knows its rise in the 19th century, when it begins to impose itself as an alternative to the sanctions of the jury of the Salons which deprives of visibility many artists whose only way to publicize their work, while regressing the orders of a princely and religious patronage.
The succession of orders will be ensured by the big bourgeoisie, and mainly today by the companies, the private sector.

The online art gallery takes the sharing of works of art as the guiding thread of its functions and attributions. We have moved from the era of galleries whose doorstep must be pushed from the beautiful neighborhoods of big cities to attractive windows, in tune with the new technologies of communication. This brings us back to the double question: What is the gallery? What is a work of art?

To be continued…

Mit freundlichen Grüßen (Bis bald Tschüss….) / Best regards.
 Konstanz 


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Philippe Morin / Artemis Irenäus von Baste
“Les Koronin”, contemporary art gallery online Paris / Chur
Monday to Friday – 9am to 18pm, excluding holidays. Contact us.
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Online gallery contemporary art “Les Koronin”
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Online gallery Contemporary Art : The Eye of the Artist, Part Three

Jacques Lacan wrote that the painted picture, the drawn picture do not compete with the appearance, they compete with what Plato designates us beyond appearance as the Idea.

If you could see the world as my eyes see it… I have a color palette in my brain.

My artistic approach indeed associates the outside world with the inner world. This palette created by my feelings, my feelings, the way my hands touch and read things, because I can see by my hands; I walk along the things to feel the shapes, matter. The artist, by drawing, painting, touching and sculpting, infuses the outside world with his vision of the same world. He adorns his, shown as he sees it to be able to share, exchange his emotions. In doing so, he is able to evaluate what he has drawn, painted, sculpted and evolved his creation.

In my opinion, the creative process depends on this constant relationship, this tension, between these two worlds, that of the vision that it possesses of the world. The artist who draws in a “wild”, instinctive, Dionysian way, projects his inner world. But to believe that it does not take into consideration the outside world is an illusion.

In the same way, the artist who builds apparently the outside world actually obeys an inner impulse, to a momentum: drawing, painting, sculpture pre-exist in him. To take an example, the process does not necessarily consist of saying : first this woman is pretty, so I make her portrait but on the contrary, it’s because I have in me this representation of her, because I see blue, green, red, browns and grays in her face, because I feel that this or that color is better to express his psychology than I do the portrait of this woman….

In other words, it is clear that there is no distinction between abstract art or figurative art that holds, figurative art ultimately participates in the same approach: the artist represents an element of nature but this element is just a figure of rhetoric, that is to say a metaphor for representing his inner world.

Mit freundlichen Grüßen (Bis bald Tschüss….!) / Best regards / Cordialement / С наилучшими пожеланиями….
For Philippe Morin Koronin, Konstanz  von Hochbach


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Philippe Morin / Artemis Irenäus von Baste
“Les Koronin”, contemporary art gallery online Paris
Monday to Friday – 9am to 18pm, excluding holidays. Contact us.
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Online gallery Contemporary Art : The Eye of the Artist, Part Two

For me, painter, graphic artist, an object is above all a superposition of colors on a background, struck by sunlight or hidden in the night, a layer of dark background color, a less dark color and a light one, struck by light, the foreground.

Between the dominant color intrinsic to the object and its tonic color (which will support the dominant, this color can be imaginary, I feel it more than I see it) dozens of colors exist. In a glass, which for you is perhaps only an object containing a liquid, I see dozens of reflections; in the trunk of a car that for you must be a clean car body, is reflected the whole environment: other cars, houses, trees, deformed silhouettes. Clouds…

In the dark purple of Philippe’s car, light is created from blue, rosés, clear skies, reds, ochres ….
The diaphanous ensemble is dotted with streaks of light depending on the position of the sun and its intensity.

In Isabelle’s white jacket hem with blues, purples, sometimes a yellow shadow.

Yes, a shadow that I will paint in yellow Cadmium. Because my mind whispers to me that it is this precise yellow that best expresses the verticality of the folds, the architecture of this fabric that moves and comes to life with Isabelle’s movements. Another painter will see other colors, another expression, according to her own eyes …

To be continued….

Mit freundlichen Grüßen (Bis bald Tschüss….!) / Best regards / Cordialement / С наилучшими пожеланиями….
For Philippe Morin Koronin, Konstanz  von Hochbach


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Philippe Morin / Artemis Irenäus von Baste
“Les Koronin”, contemporary art gallery online Paris
Monday to Friday – 9am to 18pm, excluding holidays. Contact us.
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Online gallery Contemporary Art : The Eye of the Artist, Part One

I have already written many articles about how an artist’s eye sees things, looks at the world. And there are many literatures on this subject, sometimes written by psychologists, critics, philosophers and journalists. I have always considered – besides psychology which is not an exact science because it is based on the spontaneous knowledge of the feelings of others – that the most apt to speak of his vision of the world, of how he sees things, above all, remains the artist himself.

What the artist sees.
How an object, that is to say a solid, concrete thing having unity and independence but being related to its environment (interaction with light and another or other solid bodies) is seen, perceived, viewed.

How I, artist, see this object.

To be continued….

Mit freundlichen Grüßen (Bis bald Tschüss….!) / Best regards / Cordialement / С наилучшими пожеланиями….
For Philippe Morin Koronin, Konstanz  von Hochbach


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Philippe Morin / Artemis Irenäus von Baste
“Les Koronin”, contemporary art gallery online Paris
Monday to Friday – 9am to 18pm, excluding holidays. Contact us.
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Online gallery contemporary art “Les Koronin”
This page is included in the theme “gallery entirely created and managed by artists”

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Online gallery Contemporary Art : plastic transversality and loss of aesthetics? (2)

Art is a profession that assumes knowledge and know-how. The danger is obviously widespread amateurism.

Amateurism as a conception of art would begin, in my opinion, with Duchamp and a good provisional idea, a reflection on aesthetics, interesting, but which made it a master of the so-called conceptual art.
Under the pretext of advancing and multiplying plastic experiments, techniques sometimes multiply at the expense of mastering different disciplines.A certain conception of art based on inheritance and the transmission of the profession is lost, especially when the Art is recovered by the industry (see my articles on what the Art would be or not) under patronage, which, in my opinion, has promoted industrial objects as a work of art and has contributed to blurring the values of use and contemplation. These no longer seem to be worn by current plastic experiments. At Xenakis, transversal projects were informed by the subject of the work. For some creators today, the material alone would justify the work, obscuring the passage of knowledge and know-how. Today what is significant in art is the market value. The magic is gone.

I think museums contain works of art that contain the future. This future is the transmission of artistic knowledge and know-how.

“And we hear that it’s great because it does not look like anything else. Judgment that one would have pronounced previously like a blame and not like a eulogy! It must be reaffirmed that the work is first and foremost a legacy. In the medieval cathedral everything is signifying: the sculptor knows that the head of Christ must be inclined towards the choir, and the glass-painter paints a sky in order to close the space. He does not show us the outside but the heavenly liturgy… ” (Pierre Carron, Speech at the Institut of France, Academy of Fine Arts).

Would we miss a liturgy?

Mit freundlichen Grüßen (Bis bald Tschüss….!) / Best regards / Cordialement / С наилучшими пожеланиями….
For Philippe Morin Koronin, Konstanz  von Hochbach


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Philippe Morin / Artemis Irenäus von Baste
“Les Koronin”, contemporary art gallery online Paris
Monday to Friday – 9am to 18pm, excluding holidays. Contact us.
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Online gallery contemporary art “Les Koronin”

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Online gallery Contemporary Art : plastic transversality and loss of aesthetics ?

It is often asked to the online gallery, Les Koronin why the 2018 season did not select photographers or performers, why Conceptual Art is still a minority in the face of figurative art.
The answer is a new debate, that Philippe and I are pleased to open with you, we, to whom our professors of the great schools of Art (National School of Fine Arts of Paris and Lyon – France) taught from classical drawing to multi-materials and artistic performance.

You know that Philippe and I have a franc spoken that is the hallmark of this online gallery, we are sensitive to works of art, not to others. We will open a debate in early October 2018 about the role of the gallerist and art galleries.

I will open this debate with what I consider an artistic, explosive truth, who will make people talk, but that I assume in my profession of artist and gallerist online: art is a profession that assumes knowledge and know-how.

This mastery, this excellence, I do not know if it exists today, as a matter of fact, among artists who practice several disciplines, as assertive as Degas, Hugo or Berlioz.

I am often amazed to see what I see in galleries lining tourist sites or in Google. It even happens to our online gallery to refuse registrations to “artists” whose visual expression of terminal to copy a photo or coloring a photocopy. This ties in with our previous debate on what is Art or not. We must take into account the question of the degradation of artistic mastery through its intergenerational transmission. Individuality, then marginalization and the myth of genius, led to the idea that anyone could do anything.

Mit freundlichen Grüßen (Bis bald Tschüss….!) / Best regards / Cordialement / С наилучшими пожеланиями….
For Philippe Morin Koronin, Konstanz  von Hochbach


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Philippe Morin / Artemis Irenäus von Baste
“Les Koronin”, contemporary art gallery online Paris
Monday to Friday – 9am to 18pm, excluding holidays. Contact us.
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Online gallery : come with us to visit the exhibition Robert Delaunay

31. AUG -18. NOV / Zurich

As usual, the team of the online gallery invites you to visit the exhibitions of various French and Swiss museums. Each of these outings meets our desire to take as many of you as possible to see unique cultural events. We put our knowledge of professional artists at your disposal to talk Art pictorial, sculpture, conceptual art … Enjoy ! The online gallery does not charge any fees for these visits. Entrance to the museum (where access is paid), transport (road or rail) and any stay (hotels, guest rooms, catering …) are charged to each of the organizations concerned.


 

I would like to thank MySwitzerland.com/Kunstmuseum Bern

Mit freundlichen Grüßen (Bis bald Tschüss….) / Best regards.
Artemis Irenäus and Konstanz von Hochbach


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Philippe Morin / Artemis Irenäus von Baste

“Les Koronin”, contemporary art gallery online Paris
Monday to Friday – 9am to 18pm, excluding holidays. Contact us.
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galerie en ligne : peindre Saorge !

In recent days, Isabelle Morin & amp; So I was at Saorge, at Laure & amp; Philippe Bizot , medieval village hung to the walls of the “lands of Provence of the County of Nice”.
The access we had chosen, via Menton, Sospel, is via the small road of the Roya Valley , the old salt road. Saorge has a monastery, former Franciscan convent, today residence of writers, & amp; managed by national monuments.

Our meeting with the village was almost as tangible as a handshake. & amp; like two clasping hands, an understanding dialogue ensued, intensifying during these four days. It was a certainty, such as this encounter through the ages, which seems to us to be the realization of something too vast & amp; too strange to explain it. So we had to express it.

Isabelle & amp; I “lost” quickly in the deep alleyways of this vertical amphitheater above the torrent. If you like multiple stairs, the mysterious passages whispering to you “explore me! From the end of their lips through the ages, you quickly feel the essence of some immense design, beyond your immediate understanding but that a drawing will put at your fingertips.

In the evening, we drew sketches, including some charcoals. In the morning around 8:30, we were in the alleyways, we lost a little in the many stairs, hearing a voice tell us: “Go ahead, go up! It’s public! Take a right then, it’s the way to the monastery! “. We drew up the Republic Square in the morning, before going to the Fontana Soutana washhouse in the afternoon, to paint Saorge from the East.

Thursday morning we climbed the monastery for a guided tour. We returned to the alleys after lunch, on the outside lane overlooking your roof. We drew until the evening, then returned to dinner on the balcony.

Friday, we spent at the bookseller, in front of the town hall, an old guide who told us about the endemic plants of the region. Then we finished the day painting in front of the small grocery store, in the direction of the junction of the rising streets (towards the church & Lou Pountin restaurant) & amp; down.

Four days that build memories, by the contingent and indissoluble interweaving not of the color that we know this village would have, but of the one it invites us to feel. In this, the memory of those days contradicts Aragon, life being no longer a traveler who erases his tracks with his coat dragged behind him.

Yours sincerely, philippe .
 

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Philippe Morin / Artemis Irenäus von Baste

“Les Koronin”, contemporary art gallery online Paris
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Internet art gallery: Anyone who wants to rub his oil paint by hand itself

The trituration with runners and friction plate

Anyone who wants to rub his oil paint by hand itself, requires a roughened friction plate of stone or glass; it is rubbed with a rotor, which is also made of stone or glass. Well first of Painting oil and pigment warden premixed coarsely with a spatula or palette knife on the friction plate. Then, the paint color is rubbed in portions with the rotor, which grated and mixed time be color separated. Rare mortar or Reibkeule be used.

This pigment is sic hum madder; it is still traditionally governed in Colorine (I bought it in Paris-France) produced. On the Reibglas are the mortar with the rough bottom, a small palette spatula and the sometimes already Therefore mixed color pattern.I stir the Fardmenge again well …. And rub now personally by hand and with proper Druk on the friction plate by. The over the friction surface distributed quantity of ink is then scraped together with the pallet spatula. So at the end provides the small amount malbereiter color …. it is finished!! You can really paint with.

 

Mit freundlichen Grüßen (Bis bald Tschüss….) / Best regards.
Artemis Irenäus Von Baste


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Philippe Morin / Artemis Irenäus von Baste

“Les Koronin”, contemporary art gallery online Paris
Monday to Friday – 9am to 18pm, excluding holidays. Contact us.
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On-line gallery contemporary Art Koronin. Artemis Irenäus von Baste and Philippe Morin. From Monday to Friday, from 9 am till 6 pm. All the images included in this site are protected by the intellectual property, the article L.111-1 of the Code of the intellectual property (CPI, France ) / LDA, RS 231.1 (Swiss) . The online gallery adheres to the General Regulations on the Protection of Data of the European Union (RGPD) of May 25, 2018. We wish you a nice day.